Monthly Archives: January, 2012

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Annie Hall (Blu-ray) | DVD Review

" Allen’s tale of neurotic love in gritty Gotham remains a witty and vital entertainment; not aging a day since its initial release in 1977. The film, despite a thick stew of European influences, stands as an icon of the Great American Romantic Comedy and indeed both enlarges and transcends the genre’s conventions."

Manhattan (Blu-ray) | DVD Review

"Annie Hall saw Allen seamlessly integrate experimental and European influences to create a delightful film as inventive as it was entertaining. Interiors, a grim and boldly unapologetic homage to Ingmar Bergman, proved Allen’s chops at skillful direction and the evocation of icy, angst ridden moods. Manhattan follows as a stylistic hybrid, returning to Allen’s comfort zone of satirical wit and sight gags, presented in a visually poetic package."

Review: Kid-Thing

"But it’s mostly aggravating to note that Kid-Thing is a film featuring an excellent concept with commendable aspects (Tyrrell, a score from The Octopus Project) that fails to live up to its own intentions. However, the Zellner Brothers have managed to create an inadvertent sort of social commentary. After all, Annie isn’t the first Texan in control of vulnerable people using religious ignorance and fear to keep them in the dark."

Kid-Thing | Review

Another Little Girl Down the Lane

Review: Keep the Lights On

"Not a hundred reviews could give justice to the importance and beauty of a film like Keep the Lights On, a throwback to the way queer cinema was starting to head in the 1990’s, but perhaps hasn’t quite reached. Just as Erik recuperates a forgotten gay artist for his documentary, Ira Sachs has recuperated and documented a modern gay existence, and a realistic one, at last."

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

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