Monthly Archives: May 2012 »
Wallander: The Revenge | Review
Pulp Drivel: Brandstrom’s TV Series a Swedish Snooze There’s something stupendously affirming about Charlotte Brandstrom’s Wallander: The Revenge, a 90 minute episode of a Swedish made-for-television (in 2009!) series, followed by 13 more such
Read MoreComplete 2012 Cannes Film Festival Coverage
Inside Cannes Day 1 to 12. Day 0 – 1 – 2 – 2b – 3 – 3b – 4 – 5 – 6 – 6b – 6c – 7 – 8 – 9
Read MoreInterview: Michel Franco – After Lucia (Despues de Lucia) | Cannes 2012
With Daniel and Ana (selected for Directors’ Fortnight – Cannes 2009) Mexican helmer Michel Franco peers into an unfathomable true life crime that is an assault on the class system and an unfortunate pair
Read More5 Broken Cameras | Review
Observational Politics: Burnat & Davidi’s Document of Strife Assertively observational is one way to describe Emad Burnat’s debut, 5 Broken Cameras, winner of the World Cinema Directing Award at 2012’s Sundance Film Festival. A
Read MoreWe Need To Talk About Kevin | Blu-ray Review
Lynne Ramsay likes to trudge through the dark depths of the human spirit, and after a nine year period without a film in the can, she’s made a return to form that surpasses her
Read MoreDragonslayer | DVD Review
While at a house party in Chino, California, director Tristan Patterson accidentally found a subject for his directorial debut in personable 23 year old skater punk, Josh “Skreech” Sandoval. In Patterson’s eyes he was
Read MoreMighty Fine | Review
Mighty Clichéd: Goodstein’s Debut a Muted Effort We’ve Seen Before Oh the glorious 1970’s, how we love to explore the vaguely outlined state of mind evoked in thee. Debbie Goodstein jettisons us there for
Read MoreCannes Critics’ Panel: Haneke’s Amour is Tops Among Critics, Holy Motors Places Second
The clear favorite among our panelists this year was the Palme d’Or winner. Haneke’s Amour (4.1) was an across the boards critical darling of the fest until, Leo Carax’s Holy Motors (3.8) made this
Read MoreCannes Critics’ Panel Day 11: Im Sang-soo’s The Taste of Money
The main competition’s most bizarre inclusion was not so surprisingly slotted at the very end of the fest. Two years after premiering The Housemaid, Im Sang-soo’s 7th feature titled The Taste of Money is
Read MoreCannes Critics’ Panel Day 10: Sergei Loznitsa’s In the Fog
In 2010, Ukraine’s Sergei Loznitsa was the only first time filmmaker to crack the Main Competition line-up. With My Joy (we were one of the film’s small group of supporters) we had the road
Read MoreInside Cannes 2012: Complete List of Award Winners (in Pictures)
Much like how we relate to previous Oscar winners of years past, it shouldn’t take more than three to five years before we start to pondering the following list of winners below and why
Read MoreCannes Critics’ Panel: Haneke’s Amour Should Beat Carax’s Holy Motors
We asked our Cannes Critics’ Panel of experts to weigh in on who should win the three top prizes at the 2012 edition of the Cannes Film Festival, and for our added amusement we also
Read MoreCannes Critics’ Panel Day 11: Jeff Nichols’ Mud
In only his third outing, Jeff Nichols has pretty much made a name for himself – it began with Shotgun Stories (2007) at the Berlin Film Festival and then really picked up with a
Read MoreCannes Critics’ Panel Day 10: David Cronenberg’s Cosmopolis
His fourth feature film at Cannes since Crash was awarded the Special Jury Prize (1996), the novel to screen adaptation of Don DeLillo’s Cosmopolis sees Robert Pattinson deliver, perhaps his best performance to date
Read MoreInside Cannes 2012 Day 9: Five Quotes from the Paperboy Press Conference
1. “Felt like I had been let out of some cage.” - John Cusack Lee Daniels proposed that the actor visit some of the qualities found in the character Cusack played in The Grifters.
Read MoreInside Cannes 2012 Day 9: Five Quotes from the Post Tenebras Lux Press Conference
1. “It’s a way of looking at life — and life is somewhat transformed in film.” - Carlos Reygadas Filmmaker discusses the difference in terms of exterior and interior shots. 2. “An image any
Read MoreCannes 2012: Room 237 | Review
Cinema 3.0 is in Full Bloom, and it’s Turned some of us into OCD Madmen Stanley Kubrick’s The Shining is firmly canonized as horror film perfection among cinephiles young and old; it’s the place
Read MoreCannes Critics’ Panel Day 9: Carlos Reygadas’ Post Tenebras Lux
In his short, and fruitful history with the Cannes Film Festival, Carlos Reygadas has managed with just three films manage to tease, antagonize and light fires under scores of Croisette attendees with a provocation
Read MoreCannes Critics’ Panel Day 9: Lee Daniels’ The Paperboy
By fests’ end, we can pretty much claim that Lee Daniels’ second trip to Cannes was indeed an eventful one, except for all the wrong reasons. Following 2009′s Un Certain Regard showing of Precious,
Read MoreCannes Critics’ Panel Day 8: Walter Salles’ On the Road
It took three decades to bring the seminal book to the big screen, and finally, the road trip tome from Jack Kerouac received a mid fest showing. His fifth trip on the Croisette, (two shorts
Read MoreInterview: Joachim Trier (Oslo, 31. august)
A stylistic departure from his breakout, international debut Reprise, Joachim Trier’s Oslo, August 31st is a mature, sophomore effort that is knee deep in the search for the meaning and purpose of life in
Read MoreInside Cannes 2012 Day 8: Five Quotes from the On the Road Press Conference
1. “I got to live more in those four weeks than typical, for me in my normal life” – Kristen Stewart The film began shooting in Montreal, where the actress took on the role
Read MoreInside Cannes 2012 Day 7: Five Quotes from the Killing Them Softly Press Conference
1. “The crime film is the most honest American film.” - Andrew Dominik Filmmaker discusses why he likes this genre the most, as its acceptable that all the characters are obsessed with money, wealth.
Read MoreCannes Critics’ Panel Day 7: Ken Loach’s The Angel’s Share
Not sure if Guinness World Records took note of this new Cannes factoid, but The Angel’s Share is Ken Loach’s record breaking 13th film in the Main Competition (get an eye full of his Cannes
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"Ron and I wanted to make a film that looked at what it means to be an outsider and we wanted to explore what it takes to reach out to someone whose life is very removed from your own."









