Monthly Archives: May, 2012

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We Need To Talk About Kevin | Blu-ray Review

Lynne Ramsay likes to trudge through the dark depths of the human spirit, and after a nine year period without a film in the...

Mighty Fine | Review

Mighty Clichéd: Goodstein’s Debut a Muted Effort We’ve Seen Before Oh the glorious 1970’s, how we love to explore the vaguely outlined state of mind...

Cannes Critics’ Panel: Haneke’s Amour is Tops Among Critics, Holy Motors Places Second

The clear favorite among our panelists this year was the Palme d’Or winner. Haneke’s Amour (4.1) was an across the boards critical darling of...

Cannes Critics’ Panel Day 11: Im Sang-soo’s The Taste of Money

The main competition’s most bizarre inclusion was not so surprisingly slotted at the very end of the fest. Two years after premiering The Housemaid,...

Cannes Critics’ Panel Day 10: Sergei Loznitsa’s In the Fog

In 2010, Ukraine's Sergei Loznitsa was the only first time filmmaker to crack the Main Competition line-up. With My Joy (we were one of...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

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