Matt Sobel (Take Me to the River)
“I wanted the film to feel uncanny, meaning simultaneously familiar and strange. The combination of these mixed signals makes us quite uncomfortable.”
Gone Baby Gone: Moland’s Deadpan Nordic Noir Enhanced by Skarsgard There’s a droll viciousness to In Order of Disappearance, a Nordic Neo-Noir which premiered at the 2014 Berlin International...
Mia Madre | Review
The Sea of Trees | Review
Don’t Breathe | Review
Spa Night | Review
I sat down with Anne Fontaine shortly after her latest film, The Innocents (formerly “Agnus Dei”) premiered at the 2016 Sundance Film Festival. The increasingly prolific auteur discusses her busy...
Interview: AJ Schnack (Speaking Is Difficult / Field of Vision)
Interview: László Nemes & Géza Röhrig (Son of Saul)
2016 Sundance Trading Card Series: #11. Steven Caple Jr. (The Land)
2016 Sundance Trading Card Series: #9. Bernardo Britto – Jacqueline Argentine
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