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Minamata | Review
February 11, 2022Man with a Movie Camera: Levitas Aims for Noble Rendering of Horrific Toxic Waste Contamination You’ve...
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Playground | Review
February 10, 2022Suffer the Children: Wandel Explores Bullying Through a Child’s Perspective in Superb Debut If everything one...
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Ballad of a White Cow | Review
February 10, 2022Kismet Kisses: Moghaddam & Sanaeeha Mine Intimate Vengeance in Rich Melodrama The opening moments of Ballad...
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Fabian – Going to the Dogs | Review
February 7, 2022The Dog Days Aren’t Over: Graf Puts a New Coat of Paint on the Weimar Republic...
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Air Doll | Review
February 4, 2022There is No Substitute: Kore-eda Digs into Our Rubber Soul with Fantasy Flick Reinterpreting the notion...
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The Last Ride of the Wolves | 2022 Intl. Film Festival Rotterdam Review
February 3, 2022Fasten your Seatbelt: De Michele Embarks on a Bumpy First Ride A thematic continuation of Alberto...
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The Worst Person In The World | Review
February 2, 2022Sometimes She Loved Them Too: Trier Formulates Winning Composite of Love and Self Discovery For his...
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Sundown | Review
February 2, 2022Slaughter House Rules: Franco Continues with Cinema of Distress The English playwright Robert Bolt wrote “Death...
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Rifkin’s Festival | Review
January 25, 2022Spain & Glory: Allen Apes His Darlings in Familiar Comedy of Marital Discord The first entry...
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The Pink Cloud | Review
January 14, 2022Endemic Pandemic: Gerbase Unveils Prophetic Debut of Life During Lockdown The uncanny prescience of Iuli Gerbase’s...