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The World to Come | Review
February 11, 2021Pitch Rider to Perdition: Fastvold Fans Flames of Forbidden Desire in Masterful Period Drama Few and...
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Judas and the Black Messiah | Review
February 11, 2021Only God Forgives: King Resurrects Fred Hampton in Significant, Unequivocal Portrait of Betrayal and Assassination On...
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Nomadland | Review
February 10, 2021Ballad of a Rolling Stone: Zhao Basks in the Beatitude of America’s Heartland Director Chloé Zhao...
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Land | Review
February 9, 2021Sentimental Divide: Wright Weds Wilderness in Compassionate Debut on Grief “Things do not change; we change,”...
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French Exit | Review
February 9, 2021You’ll Like My Mother: Jacobs Finds Pfeiffer in Eccentric Dangerous Liaison Director Azazel Jacobs presents his...
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R#J | 2021 Sundance Film Festival Review
February 8, 2021A Plague on Both Your Collab Houses: Carey Williams’ No Fear Shakespeare Carey Williams’ R#J is...
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Bliss [Video Review]
February 8, 2021Come On, Get Happy: Cahill Finds Love in a Phoney Place with Simulation Sci-Fi Director Mike...
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The North Wind | 2021 IFFR Review
February 7, 2021Go for Baroque: Litvinova Invokes Her Muses in a Delicious Feast of Opulent Visuals “Nobody loves...
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Malcolm & Marie | Review
February 5, 2021Charge of the Gaslight Brigade: Levinson Gilds the Surface of Solipsism in Schizophrenic Drama There’s really...
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Prisoners of the Ghostland | 2021 Sundance Film Festival Review
February 4, 2021Alas, Poor Yorick: Sono’s English Language Debut a Fallow, Gonzo Spectacle What happens when a cult...