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2012 Cannes Film Festival Predictions: Albert Serra’s Historia de la meva mort

Gist: Also known as ‘Albert Serra’s Dracula movie’, the plot focuses on the transition between the 18th century (rationalism, the Enlightenment and sensuality) and the start of the 19th century (Romanticism, obscurantism and violence), highlighting two famous characters who embodied these two worlds: Casanova and Dracula. Once again using non-actors and ‘cultural figures’ (e.g. Cinema Scope’s Mark Peranson in Birdsong), much of the details on this one are under a blanket of mystery.

Prediction: Both of Serra’s first features premiered in the Fortnight, and this one may well complete the trifecta. Despite gaining a very distinguished following in the high-brow community, Serra’s films are still too experimental and unrelentingly sparse to fit in with the typical style and shape of the Official Selection. If this film signals a leap forward in Serra’s craft or, especially, his accessibility, Frémaux and co. could have no problem securing something for him in UCR or, egad, the Main Competition. Also don’t rule out an Out of Competition berth; he’s a true Wild Card, this Catalan.

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Blake Williams is an avant-garde filmmaker born in Houston, currently living and working in Toronto. He recently entered the PhD program at University of Toronto's Cinema Studies Institute, and has screened his video work at TIFF (2011 & '12), Tribeca (2013), Images Festival (2012), Jihlava (2012), and the Pacific Film Archive in Berkeley. Blake has contributed to IONCINEMA.com's coverage for film festivals such as Cannes, TIFF, and Hot Docs. Top Films From Contemporary Film Auteurs: Almodóvar (Talk to Her), Coen Bros. (Fargo), Dardennes (Rosetta), Haneke (Code Unknown), Hsiao-Hsien (Flight of the Red Balloon), Kar-wai (Happy Together), Kiarostami (Where is the Friend's Home?), Lynch (INLAND EMPIRE), Tarantino (Reservoir Dogs), Van Sant (Last Days), Von Trier (The Idiots)

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