Originally set up to be one film with “three women, three holidays and three loves“, Ulrich Seidl decided to break them apart with Paradise: Love being launched in Cannes, with Paradise: Faith, Paradise: Hope to follow. Scripted by Seidl and producer Veronika Franz this pits Maria Hofstätter in an unflattering, ugly tourist role against non-professional actors known for hustling foreigners, or as they’re commonly known in this film, Sugar-mommies. Seidl was previously at the fest with 2007′s Import/Export which would probably rank a lot higher than what our critics (almost unanimously) think is a 2 star rating type of film. Click to enlarge!

About the author: Eric Lavallee View all posts by Eric Lavallee
Eric Lavallée is the founder, editor-in-chief and film critic at IONCINEMA.com (founded in 2000). Eric splits his time between his home base in Montreal, NYC, and is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. Top Films From Contemporary Film Auteurs:
Almodóvar (Talk to Her), Coen Bros. (Fargo), Dardennes (La Promesse), Haneke (Caché), Hsiao-Hsien (Three Times), Kar-wai (In the Mood for Love), Kiarostami (Taste of Cherry), Lynch (Mulholland Dr.), Tarantino (Pulp Fiction), Van Sant (My Own Private Idaho), von Trier (Breaking the Waves)