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2015 Cannes Critics’ Panel Day 8: Zhangke’s “Mountains May Depart” Sees “The World” as Capitalist

Almost splitting his time equally between the Lido and the Croisette, with almost a dozen features in (a mix of fiction and docus), Jia Zhangke first arrived in Cannes back in 2002 with Unknown Pleasures, 2008’s 24 City, followed those up with docu offering in 2010’s Un Certain Regard selected I Wish I Knew, and of course, wowed the establishment in 2013 with A Touch of Sin — which won for Best Screenplay. Re-teaming with his muse and wife Zhao TaoZhangke uses the vignettes approach again with a sprinkling of the English language in Mountains May Depart — in what Variety describes as a “polymorphous snapshot of 21st-century capitalism“. As you can see below, our critics are all over the map on this title.

Check back with us twice daily for the latest grades and make sure to click on the grid below for a larger version.

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric splits his time between his home base in Montreal, NYC, and is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. Top 3 from 2016: Certain Women (Kelly Reichardt), Things to Come (Mia Hansen-Løve), Toni Erdmann (Maren Ade)

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