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Todd Haynes' I'm Not There Trailer!

Posted by Eric Lavallee on Aug 21, 2007
Source: None
Feast your eyes folks on the legend of Bob Dylan. The Weinstein Company have released the trailer for one of the most anticipated films this year brought to you by the genius of Todd Haynes

Moments away from its world premiere at the Venice Film Festival and its subsequent showing at TIFF, I'm Not There is a six degrees of Dylan via actors Christian Bale, Marcus Carl Franklin, Richard Gere , Heath Ledger, Ben Whishaw and actress Cate Blanchett will be launched on November 21.2007 and will receive a site specific release at NYC’s Film Forum theater. So now...how does it feel?

“INSPIRED BY THE MUSIC AND MANY LIVES OF BOB DYLAN” reads the opening title. Cate Blanchett, Richard Gere, Heath Ledger and Christian Bale all take a crack at him; Julianne Moore, Michelle Williams and Charlotte Gainsbourg appear as some of his women. But it is Blanchett as Dylan circa 1965 (think D.A. Pennebaker’s DONT LOOK BACK) and as the post-acoustic guitar rocker, who captures our imagination and runs with it at breakneck speed. As the emaciated, cigarette-smoking, nasal-voiced enfant terrible, his hair backlit to suggest a depraved angel, he torments journalists, fans and girlfriends alike. Appearances by imaginary versions of Allen Ginsberg, Edie Sedgwick, Suze Rotolo, Bobby Neuwirth, Bobby Seale, Albert Grossman and Joan Baez round out Haynes’s fever dream of what it means to be Bob Dylan.




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Reviews

Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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