00 - 00 : 00 : 00

Banner

Film Listings

Wed May 30, 2012

Fri Jun 01, 2012

Fri Jun 08, 2012

Wed Jun 13, 2012

Fri Jun 15, 2012

Wed Jun 20, 2012

Fri Jun 22, 2012

Wed Jun 27, 2012

Fri Jun 29, 2012

Tue Jul 03, 2012

Fri Jul 06, 2012

Wed Jul 11, 2012

Fri Jul 13, 2012

Fri Jul 20, 2012

Wed Jul 25, 2012

Fri Jul 27, 2012

Fri Aug 03, 2012

Fri Aug 10, 2012

Wed Aug 15, 2012

Fri Aug 17, 2012

Wed Aug 22, 2012

Fri Aug 24, 2012

Fri Aug 31, 2012

Fri Sep 07, 2012

Fri Sep 14, 2012

Fri Sep 21, 2012

Fri Sep 28, 2012

Fri Oct 05, 2012

Fri Oct 12, 2012

Fri Oct 19, 2012

Fri Oct 26, 2012

Fri Nov 02, 2012

Fri Nov 09, 2012

Fri Nov 16, 2012

Wed Nov 21, 2012

Fri Dec 14, 2012

Sat Dec 15, 2012

Wed Dec 19, 2012

Fri Dec 21, 2012

more listings



Guide to: 34th 2007 Telluride Film Festival

Posted by Eric Lavallee on Aug 31, 2007
Source: None
Tucked away in the fresh air mountains of Telluride, Colorado is the 4 day film festival of gnarly indie, foreign film titles. Commencing today, this year appears to be a slim pickings in terms of anything fresh and not showing at either Toronto or Venice. Instead this year's bunch pulls from the quality titles at this past Cannes edition. Many were saying that Paul thomas Anderson's There Will Be Blood would preem there - and there is always a chance especially with a Daniel Day Lewis tribute occurring. Known as the festival of blind faith (cuz you don,t know what film you'll be necessarily seeing, don't be shocked if they pull out some surprises.   

Here are some of the title listing for this year's edition:

 

       

 

The Diving Bell and the Butterfly
4 Months, 3 Weeks and 2 Days
The Band's Visit
A Thousand Years of Good Prayers
The Counterfeiters
Persepolis
When Did You Last See Your Father?

Terror's Advocate
Into The Wild
Jar City
Jellyfish
Blind Mountain
Brick Lane
My Enemy's Enemy

Cargo 200
Margot at the Wedding

Encounters at the End of the World
Wind Man
Journey With Peter Sellars
Steep!

Pierre Rissient: Man of Cinema
Secret Sunshine
Who is Norman Lloyd?
Rails and Ties

Backlot, featuring ten films about films (information provided by the Telluride Film Festival):

- "A Lucky Adventurer of Korean Film: Director Shin Sang-ok, about the kidnapping and imprisonment of Sang-ok and his wife, actress Choi Eun-hie. Directed by Lee Sung-soo.

- "Bergman Island: Ingmar Bergman on Faro Island, Cinema & Life," features clips from behind-the-scenes footage from "The Seventh Seal," "Through A Glass Darkly" and "Persona." Directed by Marie Nyrerod.

- "Chris & Don: A Love Story," about British-born author Christopher Isherwood and his unconventional relationship with Don Bachardy. Directed by Guido Santi and Tina Mascara.

- "The Dawn of Sound: How Movies Learned to Talk," Warner Brothers presentation of the history of cinema's sound pioneers.

- "Estrellas," a story about Julio Arrieta and the unemployed extras, actors and crews he hires on South American productions. Directed by Federico Leon and Marcos Martinez.

- "For The Love of Movies: The Story of American Film Criticism," featuring interviews from J. Hoberman, Elvis Mitchell, David D'Arcy, John Powers, Roger Ebert, Richard Schickel and many more. Directed by Gerald Peary.

- "Hats Off," follows the day-to-day life of Mimi Weddell, a 92 year old actress living in New York City. Directed by Jyll Johnstone.

- "Man In The Shadows: Val Lewton," Martin Scorsese and Kent Jones celebrate Lewton, his key team and their films.

- "Maurice Pialat: Love Exists," a tribute to the late Pialat. Directed by Anne-Marie Faux and Jean-Pierre Devillers.

- "The Story of the Kelly Gang," a restoration of the original from 1906. By John, Charles and Nevin Tait.



Comments

ADD A COMMENT

You must be logged in to add a comment
Banner

Reviews

Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


more reviews

Interviews

main feature right

Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


right column more interviews

Festivals

festival link more

Community Film Ratings

community link more