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TIFF 2007 Day 6: How does it feel?

Posted by Eric Lavallee on Sep 12, 2007
Source: None

For all of you who’ve attempted the festival experience know first hand how important it sometimes is to finish a long day with a great film – it makes you want to repeat the horror of watching 5 more films the day after. Alan Balls’ Nothing Is Private (now property of Warner Independent Pictures) makes me want to push until this coming Friday for more movie magic. It’s also the type of film that will find a lot of haters but for twisted folks like moi – there was plenty to appreciate in this directorial debut.

I'm not There Heath Ledger

The day began with a film I’ve been waiting for the better part of the past year – Todd Haynes’ I'm Not There – an original piece of filmmaking worthy of one more viewing and some Dylan text researching. Some parts lost me perhaps I'm not familiar enough with the Dylan discography, but for the most part it kept me interested. Visually the film is a trip, but 1996's Safe is still my favorite film of his. Review coming soon.


The Weinstein Co. property, there is not much in store for Death Defying Acts – a dull, paltry, family-friendly account of the famed magician offers not much when compared to the steamy stuff in The Illusionist or the bag of tricks from The Prestige.

Married Life

When making my top 5 list I’ll be overlooking this film, but Ira Sach’s Married Life is a solid ensemble piece for adult crowds especially those who love the mystery slash humor found in old Hitchcock films. Note: after a co-writing credit in I’m not There, Oren Moverman is also the co-writer on this project.

Blood Brothers Alexi Tan

The only good coming from this period set gangster piece is actress Shu Qi. But even she gets tiring. Blood Brother is damaged goods in the story department - hard to believe that common folk turn into gangster with the flick of a dime.

Nothing is Private

Remember the name and face below. Summer Bishil is a real find and Six Feet Under player Peter Macdissi does a great job at playing a demented father. In this nasty, mean-spirited film that contains plenty of morsels from American Beauty. Run time is a bit long, but for the most part this will qualify as one of my top films seen at the fest. Oh..and Aaron Eckhart  plays another great creep. Can’t wait to write my review for Nothing Is Private.





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Reviews

Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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