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New York Film Critics Online: Diving Bell and There Will Be Blood tied for Best Film

Posted by Eric Lavallee on Dec 10, 2007
Source: New York Film Critics Online
West coast favorite There Will Be Blood became an east coast winner in  the New York Film Critics Online awards. The Gotham-based group of 24 web-based reviewers and three print critics choose Paul Thomas Anderson's film for Best Picture tied with The Diving Bell and the Butterfly. It appears that Zodiac is getting zero love in year-end attention even among the online critics, but Sarah Polley's early entry is getting plenty of attention which boosts well for long-term profits for the Lionsgate drama.

Here is the complete list of winners:

BEST PICTURE

Best Picture: The Diving Bell and the Butterfly (tie) There Will Be Blood
   

 Best Actor: Daniel Day-Lewis for There Will Be Blood

 Best Actress: Julie Christie for Away From Her

 Best Supporting Actor: Javier Bardem for No Country for Old Men

 

 Best Supporting Actress: Cate Blanchett for I'm Not There

 Best Breakthrough Performance: Ellen Page for Juno

 

 Best Director: Paul Thomas Anderson for There Will Be Blood

    Best Screenplay: Wes Anderson, Jason Schwartzman, Roman Coppola for The Darjeeling Limited

 Best Documentary: Sicko

 Best Foreign-Language Film: The Lives of Others (tie) Persepolis

   

 Best Animated Feature: Persepolis

 

Best Cinematography: Robert Elswit for There Will Be Blood

 

Best Music/Score: Jonny Greenwood for There Will Be Blood

 

Best Debut as Director: Sarah Polley for Away From Her  

 

Best Ensemble Performance: Before the Devil Knows You're Dead

 

BEST PICTURES (alphabetical)
"Atonement" (Focus Features)
"Before the Devil Knows You're Dead" (THINKFilm)
"The Darjeeling Limited" (Fox Searchlight)
"The Diving Bell and the Butterfly" (Miramax)
"I'm Not There" (The Weinstein Company)
"Juno" (Fox Searchlight)
"Michael Clayton" (Warner Bros.)
"No Country for Old Men" (Miramax)
"Persepolis" (Sony Pictures Classics)
"Sweeney Todd" (DreamWorks)
"There Will Be Blood" (Paramount Vantage)

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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."

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"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."

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