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Blood picks up National Society of Film Critics accolades

Posted by Eric Lavallee on Jan 07, 2008
Source: Variety
Paul Thomas Anderson's masterpiece dominated the National Society of Film Critics' 42nd edition claiming best picture, director, actor and cinematography. This win confirms a passing thought that I have - the earlier lists year-end lists were placing No Country for Old Men as tops, while the end of December lists have pegged There Will Be Blood. Two significant awards cateogires that differ from most common lists is the Best Experimental Film award which this year goes to John Gianvito's "Profit Motive and the Whispering Wind” and the Film Heritage Award goes to what seems like a really cool DVD box set (it was featured on Ebert & Roeper) called Ford at Fox, a 21-disc box set from Fox Home Video Ross Lipman, UCLA Film and Television Archive. Here is the complete list of winners below: 

 

Best Picture: There Will Be Blood

 
Best Director: Paul Thomas Anderson (There Will Be Blood)
Best Screenplay: Tamara Jenkins (The Savages)

 
Best Actress: Julie Christie (Away From Her)
 
Best Actor: Daniel Day-Lewis (There Will Be Blood)
 
Best Supporting Actress: Cate Blanchett (I’m not There)
 
Best Supporting Actor: Casey Affleck (The Assassination of Jesse James by the Coward Robert Ford)
 
Cinematography: Robert Elswit There Will Be Blood
 
 
Best Nonfiction film: No End in Sight
 
Best Foreign-language film: 4 Months, 3 Weeks and 2 Days
 




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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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