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WGA announce noms: Indies grab the majority of the noms

Posted by Eric Lavallee on Jan 11, 2008
Source: Variety

A lingering strike haven't kept the Writers Gild of America from naming the noms for the Best Original, Adapted Screenplays and Best Documentary screenplays of the year. A quick overview of the noms below shows that studio-based indie division delivered in quantity and quality. Here are the noms below for those who create narratives on paper. Winners are announced on February 9th.

       

 

ORIGINAL SCREENPLAY
"Juno" - Written by Diablo Cody, Fox Searchlight
"Michael Clayton" - Written by Tony Gilroy, Warner Bros. Pictures
"The Savages" - Written by Tamara Jenkins, Fox Searchlight
"Knocked Up" - Written by Judd Apatow, Universal Pictures
"Lars and the Real Girl" - Written by Nancy Oliver, MGM

 

 

       

 

 

ADAPTED SCREENPLAY
"No Country For Old Men" - Screenplay by Ethan Coen & Joel Coen, Based on the Novel by Cormac McCarthy, Miramax
"There Will Be Blood" - Screenplay by Paul Thomas Anderson, Based on the Novel Oil by Upton Sinclair, Paramount Vantage
"The Diving Bell and the Butterfly" - Screenplay by Ronald Harwood, Based on the Book by Jean-Dominique Bauby, Miramax
"Into the Wild" - Screenplay by Sean Penn, Based on the Book by Jon Krakauer, Paramount Vantage
"Zodiac" - Screenplay by James Vanderbilt, Based on the Book by Robert Graysmith, Paramount Pictures

         

 

 

DOCUMENTARY SCREENPLAY
"The Camden 28" - Written by Anthony Giacchino, First Run Features
"Nanking" - Screenplay by Bill Guttentag & Dan Sturman & Elisabeth Bentley, Story by Bill Guttentag & Dan Sturman, THINKFilm
"No End In Sight" - Written by Charles Ferguson, Magnolia Pictures
"The Rape Of Europa" - Written by Richard Berge, Nicole Newnham and Bonni Cohen, Menemsha Films
"Sicko" - Written by Michael Moore, Lionsgate/The Weinstein Company
"Taxi To The Dark Side" - Written by Alex Gibney, THINKFilm



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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