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Married Life: Poster One Sheet & Trailers

Posted by Eric Lavallee on Feb 08, 2008
Source: Sony Pictures Classics

Today we bring you the poster one sheet (a larger version that what we've seen on the Apple site) - a quad spot showing off the faces that are the make up of Ira Sachs first project in the "major" indie leagues. We have P.Brosnan - who plays the film's narrator and provides humor introspection into the affairs of the heart, Clarkson is Clarkson in the same way that Tilda Swinton is Tilda Swinton - difficult not to like her she is effortlessly great in roles large and small, Chris Cooper is the male protag completely manhandled by his emotions and Rachel McAdams is more than eye-candy that makes the men trip over themselves - she reminds us why she is the next best thing.

Interwoven with the sort of arsenic humor found in some of Hitchcock's work, this period piece has got a lot of good things going for it namely a paired mismatched foursome of players. I really hope that Married Life gets to find its audience - viewers will be rewarded with a tangy piece of hear and eye candy that will work wonders with the adult demo. Unveiled at the Toronto Film Festival and NYFF, Sony Pictures Classics releases this on March 7, 2008 in New York and Los Angeles before a wider release in the spring.

QUICKTIME
www.sonyclassics.com/syndication/trailers/marriedlife/MarriedLife_Trailer_300.mov
www.sonyclassics.com/syndication/trailers/marriedlife/MarriedLife_Trailer_56.mov

WINDOWS MEDIA
www.sonyclassics.com/syndication/trailers/marriedlife/marriedlife_high.asx
www.sonyclassics.com/syndication/trailers/marriedlife/marriedlife_low.asx

REAL PLAYER
www.sonyclassics.com/syndication/trailers/marriedlife/marriedlife_high.ram
www.sonyclassics.com/syndication/trailers/marriedlife/marriedlife_low.ram

Married Life Poster

 

 



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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