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Exclusive: 3 Q&A Clips for Savage Grace @ Cannes 2007

Posted by Eric Lavallee on May 30, 2008
Source: None

Opening today at the IFC Center is Tom Kalin's long awaited second feature film after Swoon. Savage Grace tells the incredible true story of Barbara Daly, who married above her class into the Brooks Baekeland clan. Spanning from the late 40's to the early 70's, the film describes a mother and son's heady rise and tragic fall against the backdrop of world locations including New York, Paris, Cadaques, Mallorca and London. While a period tragedy, the story is embued with contemporary significance, as well as humor, light and life. Below you'll find some shaky and choppy video I captured during the Director's Fortnight press conference at the Cannes Film Festival back in 2007.

Clip 1: Here Tom Kalin discusses the on screen treatment and representation of mental illness and how, here viewers will discover the gravity of it once the story unfolds and places the characters well beyond normality.

Clip 2: Julianne Moore discusses how the Baekelands might have been perceived as normal by all appearances.

 

Clip #3. Julianne Moore discusses how she was attached herself to the project followed by her comments on the on the functions of the mise-en-scene.

 



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Reviews

Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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