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TIFF 08: Yes Madam, Sir

Posted by Eric Lavallee on Sep 06, 2008
Source: None

First film of my fest was Yes Madam, Sir, an in the moment, poignant docu obviously part of TIFF’s Real to Reel section that played to a surprisingly packed house – perhaps it’s because Toronto patrons are used to the doc format with HotDocs playing earlier in the year. Both the Aussie director (who makes her money editing films such as the LOTR trilogy) and her film’s subject, the small in stature, but the bigger than life Kiran Bedi were on hand to show of the world premiere. Filmed over the course of six years, the doc collects tons of footage showing how Bedi became a staple of Indian society. Thank god she put down that tennis racquet.

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Zeina Durra

Zeina Durra

My casting director suggested her and I went to Paris to meet her. She loved the script and she's an amazing actress so of course I wanted to work with her. Playing an artist is very hard as it can come of as super fake, but Elodie is an artist in real life and that translated. Who doesn't like Dream Life of Angels?!

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Patterned with minimalist surroundings, low-key performances and long takes that are filmed in real time, the almost mute Police, Adjective cleverly details how Romanian society has not entirely deposed of, or moved away from its past with this anti-thesis of a Michael Mann film.

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2010 Berlin Int. Film Festival (60th)

Up to 400 films are shown every year as part of the Berlinale's public programme, the vast majority of which are world or European premieres. Films of every genre, length and format can be submitted for consideration. The Berlinale is divided into different sections, each with its own unique profile: big international movies in the Competition, independent and art-house productions in Panorama, movies specially for a young audience in the Generation section, the most exciting German cinema productions in Perspektive Deutsches Kino, an in-depth look at films from “distant” countries and experimental forms in the Forum, as well as an investigation of diverse cinematic possibilities in the Berlinale Shorts. The programme is rounded off by a thematic Retrospective and a Homage, which focuses on the lifework of a great cinema personality. Both of these sections, which are curated by the Berlin Film Museum, aim to place contemporary cinema within a historical context.

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