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Laurent Cantet stands in a 'Class' of his own for Louis Delluc prize

Posted by Eric Lavallee on Nov 12, 2008
Source: Variety
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It is one of those years where the competition doesn’t stand a chance. The prestigious, 70th year-old Louis Delluc prize is annually bestowed on France’s best film and with a rare Palme D’or win this year, it's safe to say that the odds are better than 2 to 1 for Laurent Cantet’s The ClassArnaud Desplechin’s A Christmas Tale stands as a distant second best choice. Here is the complete list from what the jury of leading critics will have to choose from, with winners will be announced in a month from now on the 12th of December. Titles with asterisks will have a U.S theatrical release in 2009 or have had a fall 2008 release. Click here for previous winners.

Un Conte de Noel (A Christmas Tale) by Arnaud Desplechin*
Dernier maquis (Adhen) by Rabah Ameur-Zaimeche
Entre Les Murs (The Class) by Laurent Cantet*
L'Heure d'ete (Summer Hours) by Olivier Assayas*
Le Premier venu (Just Anybody) by Jacques Doillon
Seraphine by Martin Provost
La Vie moderne (Modern Life) by Raymond Depardon

Delluc first film prize:
Versailles by Pierre Schoeller,
Elle s'appelle Sabine (Her Name Is Sabine) by Sandrine Bonnaire;
Le Tueur (The Killer) by Cedric Anger.



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September Surprise!

September Surprise!

The filmmaker featured as this month's IONCINEPHILE hails from the country represented by this flag. Stay tuned as we soon release the identity of the director. Here's a clue: the person is premiering their film in two major international film festivals this month.

See My All Time Top 10 Films

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Reviews

Review: Spring Fever

Review: Spring Fever

A heavily flawed film that does a disservice to its quintet of characters by abruptly ending each character's final chapter before it even begins making Spring Fever a film that never manages to find itself. Audiences who've followed his past efforts such as Purple Butterfly and Summer Palace will be puzzled by erotica without reason, by the undefined terms in which the characters are set in and the lack of dramatic focus.


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Interviews

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Interview: Amir Bar-Lev (The Tillman Story)

Pat has a very wide appeal and people who admire him come from different parts of ideological spectrum. So we didn't want to alienate a part of our audience because the film is about Pat more than anything. So we wanted to invite everybody to the dialogue of what actually happened to him and the country at the time.


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Festivals

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2010 Telluride Film Festival (37th)

The Telluride Film Festival history section offers a comprehensive look at the past 35 years of Shows, guests, and memories of Labor Day Weekends spent in the mountains.


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Community Film Ratings

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