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Game of Solitary in Urszula Antoniak's Nothing Personal

Posted by Eric Lavallee on Oct 07, 2009
Source: Variety

Watching the trailer for Urszula Antoniak's debut film, a multiple award winner in Locarno, I couldn't help but think circa 92's The Crying Game and making the assessment that Stephen Rea and the harsh, countryside backdrop in Ireland are a natural fit - most likely Antoniak employed the actor for just that. Starring native Dutch, redhead Lotte Verbeek as a wanderer, the trailer and the curiosity of it has killed the cat in me and I'm thinking that it might do the same for film festival curators. Look for The Netherlands' Nothing Personal to find a couple of open spots in either the remaining U.S. autumn fests of 2009 or the first half of 2010. 

Alone in her empty apartment, from her window Anne observes the people passing by who nervously snatch up the personal belongings and pieces of furniture she has put out on the pavement. Her final gesture of taking a ring off her finger signals she is leaving her previous life in Holland behind to go to Ireland, where she chooses to lead a solitary, wandering existence, striding with her rucksack on her back through the austere landscapes of Connemara. During her travels, she discovers a house that is home to a hermit, Martin. The latter proposes that she works for him, looking after the house and garden in exchange for food. Anne accepts on the condition that they keep their personal lives out of conversation and restrict their relationship to the work to be done. However, these two solitary beings gradually develop a degree of curiosity about one another.   

 

 

 

 



Comments

  • user icon

    Posted by Riad on 2009-12-09 at 09:20:08

    i realy enjoyed each Image of the film ,"the irish music , opera" . The both acters leaded a perfect role , a great film to feel the beauty of isolation . i was impressed by the great reception and the straight face of the old man till his death .
    in spite of the dramatic end the story remain the good image of isolation

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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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