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Escapist Escapes Thinkfilm deal, joins IFC Family

Posted by Eric Lavallee on Feb 02, 2009
Source: IndieWIRE.com

Sundance deals are still being drafted, negotiated and signed a little over a week past the wrap up date, but in the case of Rupert Wyatt's The Escapist -- Sundance is a very distant memory. IndieWIRE reports that IFC Films have come to the rescue – picking up the picture for an early April release. Originally, Thinkfilm had picked up the rights to the pic – but the indie unit is currently in repair mode and perhaps found a way to get out of their original deal.

The film is the story of Frank Perry (Brian Cox), a “lifer” in prison for the rest of his natural born days. He’s never had a problem with that: he did the crime - he’ll do that time. He receives a letter telling him that his only and much loved daughter is critically ill following an overdose. He knows that he must see her and to do that he’ll have to escape. But he can’t do it alone. A motley crew of younger associates is assembles to enact his plan: Lenny Drake (Joseph Fiennes), Brodie (Liam Cunningham), and Viv Baptista (Seu Jorge). As they prepare to break out, Frank’s focus is distracted by the arrival of a young con James Lacey (Dominic Cooper) - a reminder of days long lost. As the new kid on the block Lacey also attracts the sadistic attention of Tony (Steven Macintosh), the drug-addict brother of wing-king Rizza (Damian Lewis). Personality conflicts put the escape in jeopardy and Frank is forced to find the energy and courage of the man he once was.

 

 



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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