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Lorber finds Dance Partner in 'Tony Manero'

Posted by Eric Lavallee on Feb 13, 2009
Source: IndieWIRE.com

Despite the numerous accolades and film festival wins, I've expressed my doubts in the past on whether theatrical possibilities for this film were even possible. Pablo Larrain’s second film is a brilliant exploration of Chile's former Pinochet dictatorship but my reservations have a lot to do with some of the violent outbreaks from the film's lead character. Indiewire's Eugene Hernandez has unveiled that the Chilean import has found a home with Richard Lorber's new label(?). 

Larrain's Tony Manero along with Slovakia's Blind Love were among the highlights for me in what was a weak year in Cannes' sidebar Director's Fortnight section. I wrote in my review that “the out of focus, handheld aesthetics, muted and degraded colors add a touch of realism and vintage to the film, and for a period pic working with such a politically charged subject matter, TM takes a risky, disturbing, but rewarding road in deciphering the air of the moment.”

According to Indiewire, plans are to have an April or May ‘09 release for the import.



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Reviews

Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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