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What's Up Doc? - Cinema Eye Honors

Posted by Eric Lavallee on Mar 24, 2009
Source: IONCINEMA.com Feature

Many would say that at this year's Academy Awards got the documentary film category "right". The "right" doc film won and even the final nominees were worthy mentions. But all this doesn't make the Cinema Eye Honors mission less "important". Now in their second year and with eleven categories, a quirky film such as Guy Maddin's My Winnipeg receives a little bit more acknowledgement before disappearing on shelves, those who edit and photograph doc films have any evening reserved all to themselves and newbies to docu filmmaking world have a shot at getting some cred and mingle with the right crowd. The ceremonies take place on Sunday, we'll be reporting on who the winners are from the categories below. Make sure to check out their newly designed website

OUTSTANDING ACHIEVEMENT IN PRODUCTION Henry Kaiser - Encounters At The End Of The World Simon Chinn - Man On Wire Hilary Sandison and Marc Silvera - Stranded, I’ve Come From A Plane That Crashed On The Mountains Carl Deal and Tia Lessin - Trouble the Water Ari Folman, Serge Lalou, Gerhard Meixner, Yael Nahlieli and Roman Paul - Waltz With Bashir

OUTSTANDING ACHIEVEMENT IN CINEMATOGRAPHY Ellen Kuras - The Betrayal (Nerakhoon) Peter Zeitlinger - Encounters At The End Of The World Jody Shapiro - My Winnipeg Michael Simmonds - The Order of Myths Wang Shi Qing - Up The Yangtze OUTSTANDING ACHIEVEMENT IN EDITING Igor Martinovich - Man On Wire John Greece - My Winnipeg Michael Taylor, Margaret Brown and Geoffrey Richman - The Order of Myths Joe Bini - Roman Polanski: Wanted and Desired Nilli Feller - Waltz With Bashir OUTSTANDING ACHIEVEMENT IN GRAPHIC DESIGN AND ANIMATION Adina Sales and the team at Blacklist - American Teen Brian Oakes - I.O.U.S.A. Andy Smetanka - My Winnipeg Lasse Jarvi - Surfwise Lewis Kofsky and the team at Curious Pictures - Where In The World Is Osama Bin Laden? Yoni Goodman - Waltz With Bashir OUTSTANDING ACHIEVEMENT IN MUSIC COMPOSITION Nick Cave and Warren Ellis - The English Surgeon Kelli Scarr - In A Dream Eric Liebman - Life. Support. Music. Danny Elfman - Standard Operating Procedure Bela Fleck - Throw Down Your Heart Max Richter - Waltz With Bashir OUTSTANDING ACHIEVEMENT IN INTERNATIONAL FEATURE The English Surgeon - Directed and Produced by Geoffrey Smith My Winnipeg - Directed by Guy Maddin, Produced by Jody Shapiro and Phyllis Laing Stranded, I’ve Come From A Plane That Crashed On The Mountains - Directed by Gonzalo Arijon, Produced by Hilary Sandison and Marc Silvera Up The Yangtze - Directed by Yung Chang, Produced by Mila Aung-Thwin and John Christou Waltz With Bashir - Directed by Ari Folman, Produced by Ari Folman, Serge Lalou, Gerhard Meixner, Yael Nahlieli and Roman Paul OUTSTANDING ACHIEVEMENT IN DEBUT FEATURE Sascha Gervasi - Anvil! The Story Of Anvil Ellen Kuras and Thavisouk Phrasavath - The Betrayal (Nerakhoon) Christopher Bell - Bigger, Stronger, Faster Jeremiah Zagar - In A Dream Yung Chang - Up The Yangtze AUDIENCE CHOICE PRIZE American Teen - Directed by Nanette Burstein Encounters At The End Of The World - Directed by Werner Herzog Gonzo: The Life and Work Of Dr. Hunter S. Thompson - Directed by Alex Gibney Man On Wire - Directed by James Marsh Trouble the Water - Directed by Carl Deal and Tia Lessin Up The Yangtze - Directed by Yung Chang Young@Heart - Directed by Stephen Walker



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Reviews

Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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