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A Look at Nowhere Boy's Aaron Johnson

Posted by Eric Lavallee on Jun 12, 2009
Source: Liverpool Daily

If production began back in March, Sam Taylor-Wood is well into the post production process on Nowhere Boy, probably at the editing bay as I write this. No official stills have been released, but some outdoor pics were snapped featuring the film's lead actor Aaron Johnson who takes on a younger John Lennon, as well as Anne-Marie Duff who plays Lennon's mother. There is a smidgen of resemblance between stock photos of Lennon and Johnson. The Weinstein Co. might be in a difficult spot right now, but we can expect to see this before the end of the year. 

Written by Matt Greenhalgh, (same guy behind Control) this is based on John Lennon's sister Julia Baird's book Imagine This: Growing Up With My Brother John Lennon. A spirited teenager, curious, sharp and funny, growing up in the shattered city of Liverpool. Two extraordinary sisters tussle for his love - Mimi (Thomas), the formidable aunt who raised him from the age of 5 and Julia (Duff), the spirited mother who gave him up to Mimi's care. The young future Beatle discovers his real mother lived around the corner. Yearning for a normal family, John escapes into art and the new music flooding in from the US. His fledgling genius finds a kindred spirit in the young Paul McCartney (Thomas Sangster). But just as John's new life begins, the truth about his past leads to a tragedy he would never be able to let go.

Here is the director Taylor-Wood, Harvey, Scott Thomas who plays Mimi and Johnson.

Nowhere Boy Sam Taylor-Wood Harvey Weinstein Kristin Scott Thomas Aaron Johnson

 

 



Comments

  • user icon

    Posted by jonno on 2009-06-27 at 10:30:29

    I hope he gets the accent right because he looks f-all like him

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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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