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Cannes Croisette: The Final Basterd in Michael Fassbender

Posted by Eric Lavallee on May 11, 2009
Source: None

Brad Pitt, Eli Roth, Diane Kruger, Mélanie Laurent and Till Schweiger are all basterds....worth putting up on a one sheet. Peter from Slashfilm.com just preemed Schweiger and upon my arrival and first footsteps on the sunny Croisette I found the sixth and final basterd in Michael Fassbender. A talent I discovered same time last year with his pound-losing portrayal of Bobby Sands in Steve McQueen's Hunger, Fassender takes on the role of Lt. Archie Hicox.

Preeming on the 20th (second week of Cannes) Inglourious Basterds begins in German-occupied France, where Shosanna Dreyfus (Mélanie Laurent) witnesses the execution of her family at the hand of Nazi Colonel Hans Landa (Christoph Waltz). Shosanna narrowly escapes and flees to Paris, where she forges a new identity as the owner and operator of a cinema. Elsewhere in Europe, Lieutenant Aldo Raine (Brad Pitt) organizes a group of Jewish soldiers to engage in targeted acts of retribution. Known to their enemy as "The Basterds," Raine's squad joins German actress and undercover agent Bridget Von Hammersmark (Diane Kruger) on a mission to take down the leaders of The Third Reich. Fates converge under a cinema marquee, where Shosanna is poised to carry out a revenge plan of her own...

Fassbender Basterds Poster Cannes



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Zeina Durra

Zeina Durra

My casting director suggested her and I went to Paris to meet her. She loved the script and she's an amazing actress so of course I wanted to work with her. Playing an artist is very hard as it can come of as super fake, but Elodie is an artist in real life and that translated. Who doesn't like Dream Life of Angels?!

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2010 Berlin Int. Film Festival (60th)

Up to 400 films are shown every year as part of the Berlinale's public programme, the vast majority of which are world or European premieres. Films of every genre, length and format can be submitted for consideration. The Berlinale is divided into different sections, each with its own unique profile: big international movies in the Competition, independent and art-house productions in Panorama, movies specially for a young audience in the Generation section, the most exciting German cinema productions in Perspektive Deutsches Kino, an in-depth look at films from “distant” countries and experimental forms in the Forum, as well as an investigation of diverse cinematic possibilities in the Berlinale Shorts. The programme is rounded off by a thematic Retrospective and a Homage, which focuses on the lifework of a great cinema personality. Both of these sections, which are curated by the Berlin Film Museum, aim to place contemporary cinema within a historical context.


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