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Cannes 2009 Producer's Patch: Kimmel International

Posted by Eric Lavallee on May 13, 2009
Source: IONCINEMA.com Feature

Producer's Patch IONCINEMA.com

They championed such cinematic wonders as Synecdoche, New York and Lars and the Real Girl, but the truth is: the market has changed and we might see the company being more selective and that is why Sidney Kimmel Entertainment's Kimmel International can get behind more fair by aligning their troupes with other indie producers. Kimmel are coming to Cannes loaded with several items that I'll be on the look out for 2009/10 such as the new Natalie Portman indie film Hesher, Mark Ruffalo's Sympathy for Delicious and the New York shot Paper Man from directors Michele and Kieran Mulroney (starring Lisa Kudrow, Jeff Daniels and Ryan Reynolds).

ALL'S FAIRE IN LOVE  by Scott MARSHALL - Completed
DON'T LOOK UP  by Fruit CHAN - Post-Production   
HESHER  by Spencer SUSSER - Pre-Production
INVISIBLE SIGN, AN  by Marilyn AGRELO - Post-Production
MOTHERHOOD  by Katherine DIECKMANN - Completed  
PAPER MAN  by Michele & Kieran MULRONEY – Post-Production
SYMPATHY FOR DELICIOUS  by Mark RUFFALO – Post-Production
THE GREATEST  by Shana FESTE - Completed  
TRUST by Robert Edwards – Pre-Production
UNTHINKABLE  by Gregor JORDAN - Post-Production  



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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