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Cannes 2009 Day 4 Offerings: Audiard, Hong Sangsoo, Ang Lee

Posted by Eric Lavallee on May 15, 2009
Source: IONCINEMA.com

I'm looking forward to my three screenings today, beginning with an 8:30 start to Jacques Audiard's two plus hour film, followed by certified mumblecore card-carrying members in the Safdie brothers and their newest picture in the Quinzaine, and I'll make a trip to the Bazin theater for a day after screening to the next piece from Camera d'or winning director of 12:08 East of Bucharest and a tale about corruption in his homeland of Romania. Here is what is playing in the other sections. 

Cannes 2009 Day 4

IONCINEMA.com Schedule: A Prophet, Go Get Some Rosemary and next day screening of Police, Adjective.

Cannes Logo

Main Comp: Ang Lee's Taking Woodstock and Jacques Audiard's A Prophet on the menu today, I can't help but feel that Audiard's new film might come across as The Alchemist immersed into a gangster worl behind bars. Ne Te Retourne Pas gets a midnight showing and out of comp -- looks like a gimmick-like thriller that I'm passing on.

UN Certain Regard Logo

Un Certain Regard: Samson and Delilah and Bong Joon-ho's Mother.

Director's Fortnight Logo

Director's Fortnight: Hong Sangsoo's Like You Know It All, La Merditude des choses from Félix van Groeningen and returnees to the section: Josh and Benny Safdie's Go Get Some Rosemary.

Critic's Week Logo

Critic's Week: A special screening of Albert Pereira-Lazaro and Emmanuel Klotz's Round da Way and Nassim Amaouche's Adieu Gary.



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Reviews

Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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