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Cannes 2009 Day 4: Audiard Gives Reason for a Need to Belong in 'A Prophet'

Posted by Eric Lavallee on May 17, 2009
Source: IONCINEMA.com

The over two and a half hour prison drama demonstrates that there is a real war going on in on the inside which has a direct cause and effect on the outside world. The same theory can be switched around, as explored in Jacques Audiard's A Prophet, Cannes' first official buzz title for the Palme d'or. Audiard goes with a complete unknown in Tahar Rahim for this fascinating character study, the film will make wavs international and the young actor can kiss obscurity good bye – so far, he along with Katie Davis from Fish Tank are the film festival's acting revelations. Such as in Sur mes lèvres and The Beat That My Heart Skipped, the worlds that Audiard tends to are filled with: conflict, aggression and catch-22 situations. An engrossing drama from the get-go, this is just as much a film about the survival of the fittest as it is about the current climate of races relations and the thousands of years of suppression of the Europeans on their North African Muslim Arabic speaking neighbours to the south. Look for a Full review soon.



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Reviews

Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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