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Film in Pictures: Yorgos Lanthimos' Dogtooth

Posted by Eric Lavallee on May 26, 2009
Source: IONCINEMA.com

To complete this other piece I just posted (see the trailer & comments here) I've included some stills from the Dogtooth press kit handed out during Cannes. Here is a five-some of images that explain the curious rapport between siblings, the parameters of their home which is almost prison like, the father's need for extra surveillance, the reward and punishment system implemented by the father and practiced with trivial games (hence the blindfold) and finally, the last picture sees the family unit entertaining themselves.

Dogtooth sees a father, mother and their three kids live in a house at the outskirts of a city. There is a tall fence surrounding the house. The kids have never left the house. They are being educated, entertained, bored and exercised in the manner that their parents deem appropriate, without any influence from the outside world. They believe that the airplanes flying over are toys and that zombies are small yellow flowers. The only person allowed to enter the house is Christina. She works as a security guard at the father’s business. The father arranges her visits to the house in order to appease the sexual urges of the son. The whole family is fond of her, especially the eldest daughter. One day Christina gives her as a present a headband that has stones that glow in the dark and asks for something in return.

Dogtooth Images Yorgos Lanthimos

Dogtooth Images Yorgos Lanthimos

Dogtooth Images Yorgos Lanthimos

Dogtooth Images Yorgos Lanthimos

Dogtooth Images Yorgos Lanthimos



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Zeina Durra

Zeina Durra

My casting director suggested her and I went to Paris to meet her. She loved the script and she's an amazing actress so of course I wanted to work with her. Playing an artist is very hard as it can come of as super fake, but Elodie is an artist in real life and that translated. Who doesn't like Dream Life of Angels?!

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Up to 400 films are shown every year as part of the Berlinale's public programme, the vast majority of which are world or European premieres. Films of every genre, length and format can be submitted for consideration. The Berlinale is divided into different sections, each with its own unique profile: big international movies in the Competition, independent and art-house productions in Panorama, movies specially for a young audience in the Generation section, the most exciting German cinema productions in Perspektive Deutsches Kino, an in-depth look at films from “distant” countries and experimental forms in the Forum, as well as an investigation of diverse cinematic possibilities in the Berlinale Shorts. The programme is rounded off by a thematic Retrospective and a Homage, which focuses on the lifework of a great cinema personality. Both of these sections, which are curated by the Berlin Film Museum, aim to place contemporary cinema within a historical context.


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