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Bardem in Stone's Money Never Speaks?

Posted by Eric Lavallee on Jun 02, 2009
Source: www.deadlinehollywooddaily.com

If Nikki "toldja!" Finke's all inclusive piece on Wall Street II is accurate it would mean that: a. lensing begins on August 10th, b. release date is pegged for February 2010, c. the antagonist is Javier Bardem (a surprise since the actor is extremely selective these days) and d. the plot which until now had Douglas's Gekko return to the business world after an exemplary prison sentence, now includes details on the cast of other characters. Stone's Wall Street (circa 1987) was a winner back in the day, but in my estimation has aged horribly. Money Never Speakscentral narrative plucks from the wealth of fascinating financial world headlines of the current climate, which means we can expect some film coverage from Fortune magazine, but I cringe at the idea of a father trying in vain to make his daughter's life worth living again by protecting the exact spitting image of himself. 

Shia LaBeouf "who is a young Wall Street trader who's engaged to be married to Gekko's estranged daughter. Shia wants to be a major player, but his mentor unexpectedly kills himself, and Shia thinks a stock-shorting worldwide hedge fund manager is responsible. Shia seeks revenge on this villain, to be played by Bardem. So Shia goes to Gordon saying, "I need your help", and makes a Faustian deal with Gekko who in return wants Shia's help getting back with the daughter."

 

 



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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