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Lorber's 2010 Campaign Begins with Videocracy

Posted by Eric Lavallee on Dec 21, 2009
Source: IndieWIRE.com

Many would say that "what comes around goes around" certainly applies if you happen to be Silvio Berlusconi. As of late, the power hungry, media mogul and prime minister (he has returned to the same seat in three separate occasions) is having his private life go public, received a bloody nose, and chipped teeth last week and hasn't been fortunate on the film fest circuit either. In February we'll get a full exposé on how Berlusconi has "added" to Italian culture with Lorber Films picking up the rights to Erik Gandini’s doc Videocracy - a film that was among the favorites from film critics who attended TIFF and Venice. I managed to miss the doc, so I'm primed for the February 12th release at the IFC Center in New York.

The film argues that Italy no longer places value in people who aspire to reason and the challenges of the modern day. Women want to be voiceless showgirls on talent shows and marry footballers (soccer players). Recent prostitution and marital scandals, which have received a fair amount of airtime in other European countries as well as America, do not get broadcast on Prime Minister Silvio Berlusconi’s networks or the other public networks that he also controls as head of the government. “Videocracy” spotlights a cult of celebrity worship and TV junkies that, the director believes, has literally hypnotized Italian society to the detriment of public well-being, societal problems, and even democracy itself.



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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