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HBO Lets 'Sunshine Boy' Pour In

Posted by Eric Lavallee on Dec 08, 2009
Source: Icelandcinemanow.com

No stranger for grabbing docu films to fill their cable television slate, Icelandcinemanow.com reports that HBO have grabbed Fridrik Thor Fridriksson’s documentary The Sunshine Boy for an eventual April 2nd release expanding into major cities.

Having made its world preem at TIFF last September and receiving some good buzz, the doc film narrated by Kate Winslet and celandic singer Björk and the Icelandic band Sigur Ros offered their support in terms of score for a first-person account by producer Margret Dagmar Ericsdottir and her passionate quest to understand her severely autistic son Keli. With a poet's delicate touch Fridriksson explores the entire spectrum of autism, while not losing sight of Margret's mission as she meets with the world's leading experts on the disease. They end up in Austin, Texas, where Margret and her husband are astounded to see Keli's mind unlocked by therapist Soma Mukhophadhyay.

If HBO found value in this docu-subject its because autism appears to be a no longer silent epidemic. I don't know what the numbers are, but I can easily point to the incline of public awareness via the media on the rise of diagnosed new cases. I strongly suggest you check out the trailer below which unfortunately includes Temple Grandin, a person living with autism and who happens to be the poster person for safe animal slaughter and who ironically, was awarded by an organization (PETA) whose supposed main goal is the protection of animals. 

 



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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