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Remains of the Day: Jodie Foster's Cockeyed and Todd Rohal's Scoutmasters in the Works

Posted by Eric Lavallee on Aug 10, 2009
Source: Various Sources

A very busy Monday for the ed-in-chief of IONCINEMA.com. Caught press screenings for The Time Traveler and Ponyo, sandwiched by tons of news to report on. Here is the best of the rest of the news for August 10th.

1. Not Thirst-y 
South Korea goes with Bong Joon-ho's Mother for Foreign Oscar nom consideration.

2. Milking the "Cash" Chow 
Sony moves quickly on Michael Jackson concert experience. This Is It becomes a Halloween experience. on October 30th. (Via THR)

3. IFP’s Project Forum
Jodie Foster's “Cockeyed,” The Guatemalan Handshake's Todd Rohal’s “Scoutmasters”, (see pic) produced by Lisa Muskat, Fred Schepisi’s “The Secret River”, “Earth Camp One” by Jennie Livingston, “Fame High” by Scott Hamilton Kennedy, and “Hungry in America” by Kristi Jacobson & Lori Silverbush are among 116 selected projects for Project Forum of IFP’s Independent Film Week. (Via IndieWIRE.com)

4. Out of the Womb 
Benedek Fliegauf is now in post production with Womb.

5. A Not Too Pleasant Experience 
Paramount Vantage "dumps" The Marc Pease Experience -- the Jason Schwartzman and Ben Stiller comedy by Love Liza helmer Todd Louiso. (Via theplaylist)

6. Another Sense & Sensibility 
Fina Torres (Woman on Top) begins filming early Nov. on From Prada To Nada a Latina version of Jane Austen's "classic set in modern-day L.A. (Via Production Weekly)

7. Afghan Television 
HBO Documentary Films has acquired U.S. TV rights to Afghan Star. We'll be seeing it in early 2010.

8. Olympic Games Return to Montreal 
The 2008 film by Gu Jun on the games at Beijing will be shown at the Montreal World Film Festival.

1/2. TIFF One Sheets 
Early collection of posters for films playing at TIFF (Via Fin de cinema).



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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