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National Geographic Takes Aim On 'City of Life and Death'

Posted by Eric Lavallee on Aug 15, 2009
Source: The Hollywood Reporter

If you ask me, National Geographic Entertainment's pick up of the North American rights to City of Life and Death may have to do with a pre-established partnership with helmer Lu Chuan. NGE had teamed with the filmmaker on the N-American release the miraculous Kekexili: Mountain Patrol – a tale that pitted a band of vigilante rangers versus a gang of antelope hunters with Range Rovers as the mode of transport. The film showcased the filmmakers talent for using a sparse and difficult backdrop - something the National Geographic folks know all too well.

The war epic was rumored as a possible selection for the Cannes Competition, but will instead receive it's international premiere at the Toronto Film Festival. The Hollywood Reporter mentions that the pic was released in April in China, where it has grossed nearly $26 million. The film will be released late this year or in early 2010.

Filmed in B&W, the story unfolds as the Japanese take over the city in 1937 and everyone is struggling to survive in a city where death is easier than life.

I was wondering if any of our readers may have seen this? If so, please share your comments/thoughts.

 



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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