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Kiarostami's Certified Copy Banned in Iran (Duh)

Posted by Eric Lavallee on Aug 18, 2009
Source: The Hollywood Reporter

Iranian filmmaker Abbas Kiarostami's latest film, his first filmed outside his native country, will be banned from Iranian cinemas. THR reports that Iranian Cultural Ministry officials won't allow Certified Copy to show in theaters which only means that cinephiles will go the common route of watching the film and the Italian countryside by sharing underground, DVD copies of the film. I also imagine that a flawlessly beautiful Juliette Binoche on celluloid would not be welcomed no matter what the narrative was. 

The to be expected to show in Cannes next year title is based on an original script by Kiarostami, this tells the story of a British author (William Shimell) who travels to Italy to hold a conference on the relationship between originals and copies in the art world. During the conference he meets a French art gallery owner (Binoche). The author plays along but the innocent charade becomes a dangerous game as the lines between reality and make-believe blur. Together, they head to San Gimignano in Tuscany. during their trip, they explore all stages of a love relationship... a story about love but not a love story.



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Zeina Durra

Zeina Durra

My casting director suggested her and I went to Paris to meet her. She loved the script and she's an amazing actress so of course I wanted to work with her. Playing an artist is very hard as it can come of as super fake, but Elodie is an artist in real life and that translated. Who doesn't like Dream Life of Angels?!

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Up to 400 films are shown every year as part of the Berlinale's public programme, the vast majority of which are world or European premieres. Films of every genre, length and format can be submitted for consideration. The Berlinale is divided into different sections, each with its own unique profile: big international movies in the Competition, independent and art-house productions in Panorama, movies specially for a young audience in the Generation section, the most exciting German cinema productions in Perspektive Deutsches Kino, an in-depth look at films from “distant” countries and experimental forms in the Forum, as well as an investigation of diverse cinematic possibilities in the Berlinale Shorts. The programme is rounded off by a thematic Retrospective and a Homage, which focuses on the lifework of a great cinema personality. Both of these sections, which are curated by the Berlin Film Museum, aim to place contemporary cinema within a historical context.


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