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IndieWIRE Critic's Poll: What are A Serious Man's Oscar Chances?

Posted by Eric Lavallee on Sep 22, 2009
Source: IndieWIRE.com

Have Joel and Ethan Coen followed up No Country for Old Men with another Oscar winner? A clear favorite (I've got my hand up) among the film critics and bloggers polled by IndieWIRE, A Serious Man might have a big and bright future ahead of it and as Eugene points out, "the Coens latest took top honors as Toronto’s best narrative film, finding a place on nearly every single ballot.

Other category winners include: Erik Gandini’s Videocracy as best doc, Colin Firth’s work in A Single Man as best lead performance, Mo’Nique and Up In The Air's Anna Kendrick for best supporting performance and Karyn Kusama’s Jennifer’s Body was deemed the crap title of the festival.

The 2nd place finisher in Best Narrative film was Lu Chuan's City of Life and Death which I had originally pegged to see, but impromptu shuffling around of the schedule meant I choose Luca Guadagnino's I Am Love in its place. The Tilda Swinton starrer is a definite throwback to another era of filmmaking and this film was tied with three other films that I managed to see at the fest as well: Bruno Dumont's Hadewijch, Tom Ford's A Single Man and the brilliant Samuel Maoz tanker anti-war film Lebanon. Among the top vote-getters in the docs we find the Chris Smith's Collapse and Don Argott 's The Art of the Steal (look for my reviews of those shortly).

Toronto 09' became synonymous with three stellar acting performances: Colin Firth's take on depression in A Single Man, Tilda Swinton's mid-life crisis in I Am Love and Michael Stuhlbarg's idea of not knowing which way is up in A Serious Man. I'm glad to see that Cannes perfs from Tahar Rahim (who I interviewed and who'll be at work on several projects) and Katie Jarvis from Fish Tank were not forgotten and Quebec actress Anne Dorval received her due and was acknowledged by the poll for her role as the single mother raising a difficult son in Xavier Dolan's I Killed My Mother. Best Supporting nods continue for Mo’Nique for Precious - he is my pick for Best Supporting Actress this year, and she was tied by Anna Kendrick's bit in Up In The Air. Richard Kind, Fred Melamed, Sari Lennick, Aaron Wolff and Benjy Portnoe were also recognized for their efforts, look for them to grab Best Ensemble awards later in the year. See the complete point totals below. Click here for the article/survey participants (including yours truly!)

BEST NARRATIVE FILM:
1. A Serious Man, directed by Joel and Ethan Coen (63 points)
2. City of Life and Death, directed by Chuan Lu (20)
3. Up In The Air, directed by Jason Reitman (18)
3. A Prophet, directed by Jacques Audiard (18)
5. Dogtooth, directed by Giorgos Lanthimos (17)
6. Precious, directed by Lee Daniels (16)
7. I Am Love, directed by Luca Guadagnino (11)
7. Hadewijch, directed by Bruno Dumont (11)
7. A Single Man, directed by Tom Ford (11)
7. Lebanon, directed by Samuel Maoz (11)

BEST DOCUMENTARY:
1. Videocracy, directed by Erik Gandini (24)
2. Collapse, directed by Chris Smith   (17)
3. The Art of the Steal, directed by Don Argott (16)
4. The Topp Twins: Untouchable Girls, directed by Leanne Pooley (10)
5. How To Hold a Flag, directed by Petra Epperlein and Michael Tucker (9)

BEST LEAD PERFORMANCE:
1. Colin Firth in “A Single Man” (13)
2. Tilda Swinton in “I Am Love (12)
2. Michael Stuhlbarg in “A Serious Man” (12)
4. Tahar Rahim in “A Prophet” (10)
5. Anne Dorval in “I Killed My Mother” (9)
5. Nicolas Cage in “The Bad Lieutenant: Port of Call New Orleans” (9)
5. Matt Damon in “The Informant!” (9)
5. Katie Jarvis in “Fish Tank” (9)

BEST SUPPORTING PERFORMANCE 
1. Mo’Nique in “Precious” (17) 
1. Anna Kendrick in “Up In The Air” (17)
3. The supporting cast of “A Serious Man”** (11) 
4. Vera Farmiga in “Up In The Air” (10)
5. Julianne Moore in “A Single Man” (6)
5. Michael Fassbender in “Fish Tank” (6)

** Richard Kind, Fred Melamed, Sari Lennick, Aaron Wolff and Benjy Portnoe received a combined total of 11, though individually no one got more than 3.

WORST FILM:
1. Jennifer’s Body, directed by Karyn Kusama (8)
2. Dorian Gray, directed by Oliver Parker (7)
2. Trash Humpers, directed by Harmony Korine (7)
4. Creation, directed by Jon Amiel (6)
5. Survival of the Dead, directed by George A. Romero (5)



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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