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Michelle Williams Reteams with Reichardt for 'Meek's Cutoff'

Posted by Eric Lavallee on Sep 25, 2009
Source: Variety

I love how Variety makes a casual, end-of-article mention that is all alarm bells and whistles for us. In a Paul Dano casting update for the James Mangold project, comes word that Kelly Reichardt is in Oregon currently shooting a period pic that has her re-teaming with Wendy and Lucy's Michelle Williams, and has the filmmaker working with her biggest cast yet additionally working with Dano, Bruce Greenwood (probably suggested by Todd Haynes), Shirley Henderson and Zoe Kazan. We reported that the filmmaker was fleshing out a Western-themed project, so it looks like she'll be well-prepared for working in difficult terrain.

Written by Jon Raymond (who wrote on her previous film and Old Joy), the film's title Meek's Cutoff is based on the tale with perhaps Gerry-like consequences. The year is 1845, the earliest days of the Oregon Trail, and a wagon team of three families has hired the mountain man Stephen Meek to guide them over the Cascade Mountains. Claiming to know a short cut, Meek leads the group on an unmarked path across the high plain desert, only to become lost in the dry rock and sage. Over the coming days, the emigrants must face the scourges of hunger, thirst, and their own lack of faith in each other's instincts for survival. When a Native American wanderer crosses their path, the emigrants are torn between their trust in a guide who has proven himself unreliable and a man who has always been seen as the natural enemy.

Two dollars says this will be primed and readied for either an In-Competition or Un Certain Regard slot at Cannes next year. 



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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