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Viola Davis Puts her 'Trust' in Indie Film

Posted by Eric Lavallee on Oct 22, 2009
Source: Variety

I'm wouldn't necessarily call her the Parker Posey indie girl of today, but since Steven Soderbergh's Solaris and Todd Haynes' Far From Heaven, Viola Davis is taking on more supporting cast pinch hitter in independent films. The actress who essentially got her start in film with bit roles in Soderbergh's Out of Sight and Traffic, has just signed up for a pair of indie films.

Davis will be featured in Ryan Fleck's adaptation of Ned Vizzini's It's Kind of a Funny Thing for Focus Features. The story is described as a young-adult One Flew Over the Cuckoo's Nest and centers on a clinically depressed 15-year-old who checks himself into an adult psychiatric ward where he gains a new lease on life. Davis will play the psychiatrist who helps him understand his anxieties and provides him with the help he needs. Filming is pegged for sometime soon.

Davis will most likely board David Schwimmer's Trust right afterwards. An uncharacteristic project for Millennium Films (indie company that sticks to genre fair usually involving Sylvester Stallone), this revolves around a family (Catherine Keener and Clive Owen) who must deal with the ramifications after their 14-year-old daughter (Liana Liberato) is victimized by an adult who gained her trust posing as a teenager on a chat room. Davis will play the counselor assigned to the girl’s case.



Comments

  • comments

    Posted by colette3 on 2009-10-23 at 11:53:05

    She was fantastic in Far From Heaven, and comes off as funny and intelligent with a great personality. I hope she rises in becoming a more known screen actress.

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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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