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Sundance 2010: David Michod's Animal Kingdom

Posted by Eric Lavallee on Jan 23, 2010
Source: IONCINEMA.com Feature

Today must have been a fairly special day for David Michod -- the filmmaker saw two of his works receive their world preem debuts. First Hesher was shown midday (he receives a co-screenwriter cred) and he directed my most anticipated film in Animal Kingdom - a crime drama that only confirms what I discovered with in his shorts films: we've got a major talent on our hands from Down Under. Now if only I could get this Air Supply song outta of my head.

I have plenty to say about the pic, but I'll keep key details for further installments. Here are pics - we find veteran Australian actress Jacki Weaver is a card  a role which is important in the overall denouement of the film and which I won't divulge here - but let's just say her character is a trump card, potentially a joker in the deck, while Guy Pearce is a detective but not L.A. Confidential type mode - he almost plays against type...

David Michod Animal Kingdom Jacki Weaver

...supporting players Ben Mendelsohn and Joel Edgerton add to the film's tense tonality - I've yet to put my finger on just how this edginess is maintained - perhaps its how violence is depicted in the film.... 

David Michod Animal Kingdom Ben Mendelsohn Joel Edgerton

Animal Kingdom marks James Frecheville's big screen debut - he beat out another 500 applicants for the title role of J - where he plays a young adult who almost lives outside his own skin - what I can say is that our interest in the character increases as the timeline progresses.   

James Frecheville David Michod Animal Kingdom



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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