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Top 100 Most Anticipated Films of 2010: Olivier Assayas's Carlos the Jackal

Posted by Eric Lavallee on Jan 20, 2010
Source: IONCINEMA.com Feature

IONCINEMA.com Top 100 Films

#11. Carlos the Jackal

Director: Olivier Assayas
Writer(s): Dan Franck and Assayas
Producers: Daniel Leconte and Jens Meurer
Distributor: IFC Films

The Gist: Carlos the Jackal traces the life of Carlos (currently serving a life sentence in a French prison) from 1973-1994. Full of violence and secret-service manipulation, the story includes the 1974 bomb attack on the Publicis Drugstore in Paris, the 1975 hostage-taking of 11 OPEC ministers in Vienna and several planned assassinations. All this unfolds against a geopolitical backdrop encompassing the PLO, Japanese Red Army, Iraq under Saddam Hussein, the USSR, East German Stasi, Hungary, Syria, Lebanon, Yemen and, finally, Sudan where Carlos was arrested.....(more)

Cast: Édgar Ramírez, Farid Elouardi, Alexander Beyer and Anna Thalbach

Why is it on the list?: No one from Hollywood has managed to get the elusive Carlos jus right, I think might get him right. I'm glad this is going to Assayas -- whose picture-perfect and poignant Summer Hours has officially converted me into a fan of his once again (I had issues with a trio of his films).

Release Date/Status?The three-part TV movie (for French audiences) then turned into a 2 hour theatrical film. Not sure what the plans are for IFC - they have something pegged for March.

 


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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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