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Phase 4 Grab 'Freebie' from Sundance

Posted by Eric Lavallee on Feb 01, 2010
Source: Phase 4 Films

The most promising item from Sundance's NEXT section in terms of commercial prospects has been picked up for distribution by the Phase 4 Films folks with a perfectly fitted Summer release in the works. Katie Aselton's The Freebie, a no budget indie film that shot in eleven days has Dax Shepard in the co-lead. No mention has been made as to how much the pic got picked up for, but I imagine its a low six figures. As I mentioned here, the mumblecore-ish project is cute, simple in design and is highly likable thanks the on-screen chemistry between the leads - fans of Humpday will want to check the film out as well.     

The rom-com/drama centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a "freebie" be the cure for their ailing sex life? And will they go through with it?



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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