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Universal's Catch of the Day: Henry Joost and Ariel Schulman's 'Catfish'

Posted by Eric Lavallee on Feb 04, 2010
Source: Screen Daily

I hate that nagging feeling of having attended a film festival and having missed out on the buzz film -- as was the case with my trip to Sundance and my unattainable quest to see Catfish. The hype and build-up for Henry Joost and Ariel Schulman's documentary was established on day one of its world premiere, and its been odd to see the a bidding war breakout and media questioning the truthfulness of the doc whose punch line I can guess at but would rather not know until I see it for myself. Here's an interview with the filmmakers that won't divulge much either.

Screen Daily reports that the winning bid comes from Relativity, via the mention and cheerleading from Brett Ratner and will be distributed by Universal Pictures -- shouldn't this be a Focus Features release instead? Capturing the Friedman's Andrew Jarecki and Marc Smerling produced and Kavanaugh, Tucker Tooley and Brett Ratner will serve as executive producers.

Nev, a 24-year-old New York–based photographer, has no idea what he’s in for when Abby, an eight-year-old girl from rural Michigan, contacts him on MySpace, seeking permission to paint one of his photographs. When he receives her remarkable painting, Nev begins a friendship and correspondence with Abby’s family. But things really get interesting when he develops a cyber-romance with Abby’s attractive older sister, Megan, a musician and model. Prompted by some startling revelations about Megan, Nev and his buddies embark on a road trip in search of the truth.



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Reviews

Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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