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We Need To Talk About Ezra Miller: Lynne Ramsay has Found Her Kevin

Posted by Eric Lavallee on Apr 01, 2010
Source: IMDB

Could this be the face of a monster? If producers happen to have come across his emotionally-detached character in Antonio Campos' gem of a film Afterschool, then I think we might have found our Kevin in Lynne Ramsay's long waited film which begins lensing this month.

In Campos' film, Ezra Miller played a teen living in a boarding school, far away from any kind of supervision and stuck with an addiction that is left untreated. I threw some names/faces in the hat prior to this for possible casting choices, but I think Miller is the right stuff for We Need to Talk About Kevin, it might actually be a cake walk for the actor, not because he has played a murderer of the Columbine kind before, but because the role will ask for a kid who is missing a couple of nuts and bolts. Here is the sample of his first perf, about three years back. 

Co-scripted by Ramsay and writer Rob Festinger, this is an adaptation of Lionel Shriver's prize-winning book which follows Kevin and his mother, Eva (Tilda Swinton). After Kevin goes on a killing spree just days before his 16th birthday, Eva is forced to question whether she ever loved her son and how much she is to blame for what he did. John C. Reilly is playing the reclusive father Franklin.

Ezra Miller We Need to Talk About Kevin

Miller was recently seen in Raymond de Felitta's City Island (was released last week), and will next be seen in Bryan Goluboff's Beware the Gonzo which will be showing at Tribeca shortly. Miller is repped by Paradigm, who happen to be the sales reps on both films.



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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