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IFC Serve Themselves a Plate of Winterbottom's 'The Trip'

Posted by Eric Lavallee on Oct 05, 2010
Source: IFC Films

As of late, IFC have food some comfort food in the works of Michel Winterbottom. The filmmaker who is now tackling the well versed in the mass media tale of the Amanda Knox Murder Case, had recently delivered a two-hour cut of The Trip at TIFF --- a downsized version from 6 television episodes that has or is about to air in the U.K. Late yesterday, IFC films picked up the property and will perhaps go about distributing it like they'll done with Carlos - 2 separate integral versions - one for the channel, and one for the theaters for sometime next year. 

I was a big fan of the Tristram Shandy: A Cock and Bull Story pairing of Steve Coogan and Rob Brydon - and here they reunite with Winterbottom in this road trip through the English countryside. Coogan is asked by The Observer newspaper to travel through the Lake District and Yorkshire Dales, dining in fine restaurants and visiting various historic locations from the life of William Wordsworth. But when his girlfriend backs out on him, he has no one to accompany him on the trip. Enter Brydon, his best friend and source of eternal aggravation. After a half-hearted invitation where Coogan explains he’s asked everyone else and that Brydon is his last resort, the two of them set off in the car, armed only with a map and incredible comic timing. They spend much of the trip trying to one-up each other with hilarious, canny dueling impersonations of Michael Caine, Liam Neeson, Sean Connery and Woody Allen to name a few. Largely improvised, the film follows the pair through foodie heaven as they stop at some of the best restaurants and inns in the north of England. Though the laughs never cease, the film still manages to reveal something about the nature of comedy, friendship and connection.



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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