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Mountain Top Water Drop: Trailer for Casey Affleck's I'm Still Here

Posted by Eric Lavallee on Aug 16, 2010
Source: Magnolia Pictures

Finally it has arrived. Less than a month before it preems theatrically (Magnolia is certainly not going to go the old VOD for one month route) and three weeks or so before it hits Venice, Casey Affleck's I'm Still Here -- a mocku experimental performance piece film that mixes faux and non-fiction is bound to be compared to a pair of Sacha Baron Cohen films that we're all too familiar with. The trailer obviously doesn't reveal what form this takes -- and at this point I'm more curious if Phoenix will complete the cycle on Letterman and how much longer will he run with this public performance? 

The directorial debut of Oscar-nominated actor Casey Affleck, I’M STILL HERE is a striking portrayal of a tumultuous year in the life of internationally acclaimed actor Joaquin Phoenix. With remarkable access, I’M STILL HERE follows the Oscar-nominee as he announces his retirement from a successful film career in the fall of 2008 and sets off to reinvent himself as a hip hop musician. Sometimes funny, sometimes shocking, and always riveting, the film is a portrait of an artist at a crossroads. Defying expectations, it deftly explores notions of courage and creative reinvention, as well as the ramifications of a life spent in the public eye.

Bonus: For anyone who wants to join me in this: when will Phoenix's name be mentioned for a new acting gig? I say December 3rd.



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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