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Top 100 Most Anticipated Films of 2011: Elgin James' Littlebirds

Posted by Eric Lavallee on Jan 12, 2011
Source: IONCINEMA.com Feature

IONCINEMA.com Top 100 Films

#67. Little Birds

Director/Writer: Elgin James
Producers: Hunting Lane Films' Jamie Patricof, Alan and Gabe Polsky
Distributor: Rights Available.

The Gist: This tells the story of LILY and her best friend ALISON (Juno Temple and Jay Panabaker), two 15 year-old girls living near the shores of California’s Salton Sea, a heavily polluted lake in the middle of the desert. What was once an oasis for the wealthy and famous has become a near ghost town with trailer parks, abandoned hotels, and beaches full of dead fish and dying birds.....(more)

Cast: Juno Temple, Kay Panabaker, Leslie Mann, Kate Bosworth, Kyle Gallner, Chris Coy

List Worthy Reasons...Featuring the skill-set of pair of folks named in our American New Wave 25 in Elgin James and Cinematographer Reed Morano (Frozen River), I've been looking forward to the pic since we first heard of it being workshopped in the Sundance labs. Expanding from his short, James taps into some autobiographical elements and formulates it from a female perspective. The potential for raw perfs from the ensemble cast appears feasiable and I'm expecting Juno Temple to deliver a more complex character than the more recent road-trip small town deserter found in Dirty Girl. The festival is calling it a brutally honest and beautifully rendered, and a stunning portrait of innocence lost - this might be the fest's break-out debut.

Release Date/Status?: Sundance U.S Dramatic Competition slot, followed by pick-up, followed by release most likely before year's end.

 


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Review: The Kid With a Bike

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"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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