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Top 100 Most Anticipated Films of 2011: Liza Johnson's Return

Posted by Eric Lavallee on Jan 10, 2011
Source: IONCINEMA.com Feature

IONCINEMA.com Top 100 Films

#97. Return

Director/Writer: Liza Johnson
Producers: Noah Harlan and Ben Howe
Distributor: Rights Available.

The Gist: Back from a tour of duty, Kelli (Cardellini) can't wait to rejoin her old life in the rust belt town she's always lived in. She's ready to experience the feelings of everyday life-- the carpet under her bare feet, a cold beer in front of the television, the smell of her baby's head. Slowly, though, she realizes that her everyday life doesn't resemble the one she left. A gap opens up with her husband Mike (Shannon), who doesn't entirely understand the things she's seen and been through.....(more)

Cast: Linda Cardellini, Michael Shannon and Mad Men's John Slattery

List Worthy Reasons...Short film filmmaker and installation work artist Liza Johnson is among of the folks that we included in our inaugural American New Wave 25 series, and we're expecting a breath of fresh air in the subject matter she examines in her feature debut. In cinema, post-traumatic stress disorder following war traumas has been done to death, but I'm betting this discourse might have a little more to offer than previous viewpoints -- the small town template includes a shifting of the family paradigm and if the perf is well-calibrated then I think we might see Scooby Doo thesp Linda Cardellini's name mentioned during awards season same time next year. This little indie number also includes Michael Shannon and the extremely busy Tim Blake Nelson.

Release Date/Status?: Now in post-production, this could be ready as early as Cannes, or fully charged for the fall film festival season or delayed until Sundance 2012, where the filmmaker workshopped the project in the Labs.

 


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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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