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2010 Gotham Awards: Kevin Asch - Breakthrough Director Winner

Posted by Eric Lavallee on Nov 29, 2010
Source: IONCINEMA.com Feature

With no clear favorite in the category, I would have guessed that the screenwriting-turned helmers Glenn Ficarra and John Requa ballsy comedy might have a slight advantage, but the film's troubled path to distribution certainly didn't help. Instead director Kevin Asch (Holy Rollers) beats out a pair of fellow filmmakers who premiered their film at Sundance, and Lena Dunham (SXSW).  Asch was influenced by my favorite cinema when he filmed Holy Rollers. He mentions in his interview with us, "I always planned the style to be a mix of cinema verite and Italian neo-realism. Film aesthetics are incredibly important to me and something I take very seriously starting in development. I made a comprehensive look book early on, that has served as the creative blueprint for about two years leading up to pre-production."

Winner: Kevin Asch for Holy Rollers (First Independent Pictures)

Other Noms:

John Wells for The Company Men (The Weinstein Company)
Glenn Ficarra and John Requa for I Love You Phillip Morris (Roadside Attractions)
Tanya Hamilton for Night Catches Us (Magnolia Pictures)
Lena Dunham for Tiny Furniture (IFC Films)

Previous Winners
2009: Robert D. Siegel for Big Fan
2008: Lance Hammer for Ballast
2007: Craig Zobel for Great World of Sound
2006: Ryan Fleck for Half Nelson



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Reviews

Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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