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Double the Pleasure: Armie Hammer and Theron to love Leo in Clint Eastwood’s 'Hoover'

Posted by Shaun Burke on Dec 09, 2010
Source: EW

Armie Hammer’s role as both Winklevoss twins in The Social Network continues to earn praise (unfortunately not enough for any Best Supporting mentions) and now it’s earned him a prestigious role in Clint Eastwood’s J. Edgar Hoover biopic, currently titled “J. Edgar.” Hammer will play Clyde Tolson, a lawyer who entered the FBI as a clerk and worked his way up to Associate Director and ultimately became Hoover’s protégé. The title role of J. Edgar will be played by Leonardo DiCaprio and the script was penned by Oscar winner Dustin Lance Black of Milk fame. Eastwood and fellow Malpaso exec will produce the Warner Bros. biopic alongside the Imagine Entertainment duo of Brian Grazer and Ron Howard.

Gist: J. Edgar Hoover was the first Director of the FBI and is credited with building into a large and efficient crime-fighting agency. The film will focus on his scandalous career and controversial private life as a homosexual – this is where Hammer’s character will tie-in, and rumoured cross dresser.

Worth Noting: Hoover once described Tolson as his alter ego: the men not only worked closely together during the day, but also took meals, went to night clubs and vacationed together. Hoover also willed Tolson his estate. These are the grounds for advocates of Hoover’s sexuality, although many people close to both men deny any relationship beyond that of friends.

Do We Care?: If Mr. Eastwood cares – so do we. He can pick from any actors in the business and the fact that he’s chosen Hammer only helps to cement the young actor’s talent.

Update!: News it coming out in pairs today: Vulture reports that Charlie Theron will play Helen Gandy, a Justice Department file clerk Hoover selected as his personal secretary at the age of 21, and who wound up working for him for over 54 years.



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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