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Tarnation Part 2: Jonathan Caouette's Cloudbusters

Posted by Eric Lavallee on Feb 15, 2011
Source: Wild Bunch

Sometime in 2004 Jonathan Caouette's Tarnation made me crawl in a ball and not want to visit the outside world for a good week (read my 4.5 out of 5 star review). Round two is coming soon. Part of Wild Bunch's sales slate, the experimental-documentary film titled Cloudbusters (which I imagine is related to what you might do on a road trip) might be ready in time for a return to the Croisette (Tarnation was part of the Directors' Fortnight sidebar). Read Wild Bunch's synopsis after the jump.

Jonathan Caouette Cloudbusters

Caouette plunges us again into a psychedelic maelstrom fused from snapshots, super 8 home movies, answerphone messages, intimate video diaries and dreamlike landscapes of events both past and future, real and imagined, to createa multilayered portrait of an American family shaken by crisis but united by love. In 2010, he decided to film his mother Renée’s move from a care home in Houston to another in New York, where she would be nearer to him. Their road trip - mother and son travelling across the States by truck transitions seamlessly into episodes of wild hallucinatory fiction and musical interludes. At its heart, CLOUDBUSTERS is a radically shot and edited story of one person caring for another in difficult, and often bizarre circumstances. Jonathan alone takes charge of the vulnerable Renée while struggling to maintain his own stability and to follow his path as a filmmaker and as a father to his son Joshua.



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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