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SPC Likes the 'Beats' From A Tribe Called Quest Doc

Posted by Eric Lavallee on Mar 10, 2011
Source: Sony Pictures Classics

After the Sundance pick-up of POM Wonderful Presents: The Greatest Movie Ever Sold, Sony Pictures Classics have nabbed their second documentary film from Park City in Beats Rhymes & Life: The Travels of a Tribe Called Quest. In the press release, the first time director Michael Rapaport (who we had a chance to interview) mentioned that "as a first time filmmaker to have the support of SPC is like being signed by the NY Yankees."

Gist: This documents the inner workings and behind-the-scenes drama that follow the band, A Tribe Called Quest, even today and explores what's next for a group many claim are the pioneers of alternative rap. Having helped to pave the way for innovative hip hop artists, A Tribe Called Quest has kept a generation hungry for more of its groundbreaking music since the group’s much-publicized breakup in 1998. A Tribe Called Quest has three platinum albums - Midnight Marauders, The Low End Theory and Beats, Rhymes & Life, multiple Grammy nominations and headlined the 2008 “Rock the Bells” concert series alongside Snoop Dogg and Wu-Tang Clan.

Worth Noting: Of the four members who are also the film's producers - three were no-shows at the Sundance premiere because they were't happy with the edit. However, an emotional Phife Dawg gave the doc his blessing especially after having felt the love from he audience.

Do We Care?: We aren't connoisseurs of the hip-hop scene, but the buzz surrounding this doc was pretty strong. The key concern is: will SPC be able to pitch this to a larger demo than just fans of the group?



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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